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Launch Pad prioritizes exclusive partnerships including a Grand Prize Partnership with Gran Via Productions, Development opportunities and a Mentorship program.

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The Launch Pad Feature competition prioritizes exclusive partnerships and opportunities including a Grand Prize Partnership with Gran Via Productions (The Holdovers, The Notebook, Galaxy Quest), Development opportunities and a Mentorship program. We aim to provide our writers with as many avenues towards success as possible.

Designed to set you up for success, we’ll guarantee a meeting with a jury member for every Top Ten finalist plus a virtual pitching workshop. Including vetted industry professionals from Artists First, Brillstein Entertainment, MarVista and more.

We’re looking for the next great voices in feature film writing. Our tradition of writer success, includes projects sold to Netflix, Paramount, and more.

Grand Prize Partnership

with Gran Via Productions

The Grand Prize winner will meet with the Head of Film Development from Gran Via to talk about their project.

Gran Via is the film and television production company founded by producer Mark Johnson. Gran Via’s credits include the Oscar-nominated The Holdovers, The Little Things (starring Denzel Washington and Jared Leto), Downsizing, The Notebook, and Galaxy Quest among others. In television, Gran Via executive produced the Peabody and Emmy Award-winning drama Breaking Bad for AMC, Better Call Saul, Halt and Catch Fire, Mayfair Witches and more.

 

Key Dates

Deadline

May 20, 2024
Early
Jun 20, 2024
Regular
Jul 20, 2024
Late
Aug 20, 2024
Final

Announcements

Nov 8, 2024
Second Rounder
Dec 13, 2024
Top 100
Mar 14, 2025
Top 50
Apr 4, 2025
Top 10
Apr 25, 2025
Winner

Writer Testimonials

Here's how our competitions and industry connections have helped Launch Pad writers take their careers to the next level, in their own words.

After placing in the Top 50 of Launch Pad's 2021 Feature Competition, the Launch Pad team checked in with me to discuss my goals for my screenwriting career. They helped me construct a compelling query letter, which ultimately caught the attention of my manager at Tobias Management.

Andrea Berting

Andrea Berting

Signed with a literary manager

Whether you write for TV, film, novels or short stories you owe it to yourself to enter a Launch Pad competition. I've never experienced a team so dedicated to promoting you and your work.

Craig Lew

Craig Lew

Prose Competition

What’s great about the Launch Pad writing contest, is that you don’t have to win to come out a winner. My script Happy Little Accidents made it into the top 100 but didn’t advance further, and yet I was chosen for their mentorship program. They truly take all scripts and screenwriters into consideration and are looking for writers that are passionate and ready for the next step in their career.

Andy Erikson

Andy Erikson

Signed with a literary manager

Launch Pad has been an invaluable resource for reaching my career screenwriting goals.They not only provided a platform through the contest, but put me in touch with industry players, answered any questions I had, and aided my writing career with a personally-focused approach. A must-enter contest for aspiring screenwriters.

Alex Ovadal

Alex Ovadal

Signed with a literary manager

I really wasn't expecting for Launch Pad to follow through after the competition, but they've gone above and beyond to help us aspiring-writers with our careers! Plus they're just so nice!

Celia Rettenmaier

Celia Rettenmaier

Prose Competition

In addition to being a fun contest, the meetings Launch Pad set up for winners were helpful and terrifically organized.

Jon Bershad

Jon Bershad

Feature Competition

Launch Pad has been incredibly supportive of their winning writers, and really goes the extra mile to help make connections with industry players.

Sean Malcolm

Sean Malcolm

Feature Competition

The Launch Pad Pilot Competition and its diligent team helped “Angels of War” to gain visibility and traction. I am grateful for the opportunities provided to competition winners to meet with various industry reps and producers.

Natalie Bergman

Natalie Bergman

Signed with a literary manager

The Launch Pad did everything I could ask for...there's not too much else the competition could have done for me.

Taylor Hopkins

Taylor Hopkins

Signed with a literary manager

I've submitted to a variety of writing competitions that promise exposure from contest placements, but the first time I'd actually seen proof of that was when I placed in Launch Pad's Prose Writing Competition. Their development executives communicated with me at each placement milestone and gave detailed updates as to how they were marketing I and the other authors' work. Within a month of the contest ending, I actually saw results where agencies expressed interest in my work...

Uzo Chijioke

Uzo Chijioke

Prose Competition

Development Prize

With partner American High

American High will pick one project and take at least one meeting with the writer for development purposes.

Specializing in high-concept, R-rated, high-school comedies, American High is a production company with an overall deal at Hulu behind such features as The Binge, Plan B, I Love My Dad, and the Sundance Award-winning Big Time Adolescence. The company is helmed by writer/director Jeremy Garelick of major box office features like The Hangover, The Break Up, and The Wedding Ringer.

Requires Add-On or Top 10 placement

Meet The Jury

Alex Pelham

831 Entertainment | Literary Manager

Alex Pelham is a manager at 831 Entertainment, a talent and literary management company whose clients have written for major tentpole franchises such as Taken, Jarhead, The Scorpion King, and Tremors.

Amy Roach

Brillstein Entertainment Partners | Producer / Manager's Assistant

Amy is a Producer / Manager's Assistant at Brillstein Entertainment Partners, a talent and literary management firm and production company with credits on THE SOPRANOS, HAPPY GILMORE and GHOSTBUSTERS.

Brandon Gale

Speck + Gordon | Coordinator

Brandon works in development for Speck + Gordon, the production company of Will Speck + Josh Gordon, the Academy Award-nominated filmmaker duo behind Blades of Glory, Office Christmas Party, and Lyle, Lyle, Crocodile.

Brittany Pratt

Davis Entertainment | Development Assistant

Brittany Pratt works in development at Davis Entertainment, a major production company behind such projects as Jungle Cruise, Game Night, Dolemite is My Night, and The Man from U.N.C.L.E.

Camila Rios

18Hz | Executive Assistant to producer Walter Hamada

Born and raised in Puerto Rico, Camila began her career as a Development Assistant to Carlos Aguirre, the VP of Development at Paramount Television Studios. At PTVS, she worked on several shows including “Spiderwick Chronicles” which is now streaming on Roku. Camila is now at 18Hz, a new horror-focused production company led by veteran film executive Walter Hamada (THE CONJURING, IT). Camila works directly under Walter to produce feature films within the horror genre for Paramount Pictures.

Dan Vallancourt

MarVista | Coordinator, Development

Dan Vallancourt is a development professional at the Fox-owned MarVista Entertainment, a production company responsible for producing or distributing over a hundred films since 2010.

Ella Wahlestedt

Quarterlife Pictures | Producer, CEO

Ella Wahlestedt is the founder of Quarterlife Pictures, a Los Angeles-based independent entertainment development and production company. While at Buffalo 8, she released 150+ titles and directly established outputs with VOD platforms, streamers, and exhibitors.

Megan Morey

Black Box Management | Manager

Megan is a literary manager at Black Box Management, a management company whose clients have written and directed award-winning indie features such as Emily the Criminal and The Runner.

Nicholas Bogner

Affirmative Entertainment | Literary Manager

Nicholas Bogner is a Literary Manager + Producer with Affirmative Entertainment. He has sold features and pilots to the likes of Paramount, Amblin, Sony, Blumhouse, Intrepid, Walden Media and pilots to ABC, FX, USA, MTV, CW, E!, Fox Studios, Fox 21, TWC, Relativity, Sy-Fy, Eone and NBC.

Tina Ziobro

Artists First | Coordinator

Tina is the coordinator in the office of Tucker Voorhees at Artist First. She primarily works with Features in the comedy and action space. They currently have blackish, The Last O.G., grownish, The Gong Show and Hot Date on the air and have produced features Including Central Intelligence, A Futile & Stupid Gesture, Keanu, Bullethead and others.

The Benefits of Feedback

We are committed to helping writers take meaningful steps in their career, and there is nothing more important in developing your craft than thorough, in-depth notes from a trusted source. We are proud to offer our Feedback Notes program, providing 1-2 pages of in-depth notes on your competition entry, with insight into the story, characters, and writing of your project.

Enter with Feedback

Prizes with Results

Grand Prize Winner

Everything the Category Winners  receive, plus…

  • Meeting with the Head of Film Development from Gran Via (The Holdovers, The Notebook, El Camino: A Breaking Bad Movie)

Category Winners (2)

Everything the Top 10 receive, plus…

  • Will receive an additional 1:1 meeting with an industry professional.
  • Each of the competition winners will be invited to an exclusive yearly virtual event where they will get the chance to meet with and pitch industry professionals from management companies, agencies and production companies in a 1:1 setting. Past participants included MGM, Scott Free, Verve, Bellevue, Lit Entertainment, WME, and more.

Top 10

Everything the Top 50 receive, plus…

  • A guaranteed meeting with a member of the jury.
  • Receive a paragraph of written feedback from a jury member.
  • Invite to a Top 10 only virtual event.
  • One free entry to any future Launch Pad Competition of your choosing.

 

Top 50

Everything the Top 100 receive, plus…

  • One year free membership to the Tracking Board.

 

Top 100

  • Receive a paragraph of written feedback from 2 readers.
  • Your project and writer profile will be shared and marketed to our extensive industry networks.

Signing Prize

This year’s Signing partner is manager Anders Lykke of Locus Entertainment, who will select a minimum of one (1) writer from the competition to sign as a client.

Anders is the founder and CEO of Locus Entertainment, aimed at nurturing and promoting emerging screenwriters with a global perspective. He founded the Casino Theatre in 2019. This innovative platform is dedicated to showcasing the finest unproduced screenplays, brought to life by skilled actors before a select audience of industry professionals.

Requires Add-On or Top 10 placement

If you select any add-ons at the time of entry, regardless of where you place in the competition, you will still be in the running for those add-on features.

Feature Mentorship Program

Requires Add-On or Top 10 placement

The best way to learn is by working with experienced writers who have already navigated that path to success. The Launch Pad mentorship program is tailored for each individual relationship and will include a call or meeting with your mentor to provide career advice.

Jeff Wadlow

Jeff Wadlow is a DGA Award-nominated writer and director behind major projects such as Kick-Ass 2, Truth or Dare, The Curse of Bridge Hollow, and the recently-released Blumhouse horror, Imaginary. He has also written and produced on major TV series Bates Motel and The Strain.

Michael Brandt

Michael Brandt is the screenwriter behind the newly released film Arthur the King, in addition to the films 3:10 to Yuma, Wanted, 2 Fast 2 Furious and Catch That Kid. He is also the co-creator of NBC’s Chicago Fire, Chicago Med, Chicago P.D. and Chicago Justice, serving as showrunner on Chicago Fire and Chicago P.D. for multiple seasons.

Selection Criteria

The winners will be chosen based on the following criteria: (i) The originality and commerciality of the premise; (ii) The effectiveness of the plot and structure in serving that premise; (iii) The professional quality and creative use of the writing, formatting and presentation; (iv) The use of dialogue to advance the character, story and entertainment value of the project; (v) The originality, believability and emotional investment in the characters and their impact on the overarching story and themes.

Initial reads will be completed by professional industry readers, after which the top scored scripts will be named to a Second Round and then narrowed down to a list of 100 finalists. Our internal team of readers will read all remaining submissions to allow for extensive internal discussions over the relative merits and weaknesses of each project. At this point, writers may be asked to submit supplemental information (a brief bio, a bible for their tv pilot, etc.) to assist in the decision making process. 

Further rounds of internal reading and discussion, as well as consultations with our signing and development prize partners, narrows the finalists down to 10, at which point our panel of industry judges read the scripts and determine our winners. 

Any entrant may be deemed ineligible at the sole discretion of Launch Pad. We reserve the right to amend these rules at any time.

Rules

  1. All scripts MUST BE submitted as a PDF.
  2. All feature scripts must be under 120 pages (any script with more than 120 pages will be charged an additional $1 per page) 
  3. Do not submit any form of pitch document with your feature script.
  4. Do not include any identifying information (name, address, etc) on any page of your submission EXCEPT for the Title Page, which will be removed before sharing with readers to preserve anonymity. As such, the Title Page can include any information you would like. 
  5. Scripts with multiple writers are allowed (however, all entry fees must be paid under one account and all prizes to be shared among writing partners).
  6. If a writing team is chosen as a winner, prizes will be given to the person who submits the project. Each team is responsible for dividing or sharing any prizes awarded as they deem fair.
  7. All submissions must be the sole property of the writer(s). Any submissions of existing characters and or stories not in the public domain, as well as any intellectual property that the writer does not own will be disqualified.
  8. Features with a prior option are allowed, but at the time of submission and for the duration of the contest, must remain exclusively the writer’s property.
  9. The only scripts not allowed to be entered are those which have already sold, been produced, have previously earned our “TB Recommends” or “Launch Pad Recommends” honors, or received a top 50 placement in a previous Launch Pad competition, regardless of format.
  10. The Launch Pad uses Coverfly to manage our submissions and reads. Updated drafts will be accepted for a limited time through the Coverfly website only for a $6 fee.
  11. The Launch Pad and all judges/readers will utilize whatever criteria they deem appropriate in deciding a winner.
  12. All scripts will remain the property of the writer(s) throughout the contest (at no point will anyone from the judges panel, or Launch Pad ever attach themselves to your work without your consent).
  13. Entrants may be contacted as a result of the contest by Launch Pad, its partners, the judging panel or other industry professionals in regards to representation, production, sale and/or option of the entered work.
  14. Entrants are under no obligation to sell their work or otherwise attach themselves to representation in any form – this includes the guaranteed development and guaranteed signing add ons
  15. General script entries will not receive feedback, however, you can opt to upgrade and receive feedback on your script submission.
  16. The contest is open to entrants who will be 18 or older at the time of the winners announcement. It is an international contest and open to entrants worldwide.
  17. The Launch Pad reserves the right, at our sole discretion, to change or modify these terms at any time without notice.
  18. By entering this competition, you agree to receive periodic emails from The Launch Pad and The Tracking Board. You may unsubscribe to these at any time.
  19. All entrants understand and agree to allow Launch Pad to post details on their script (title, writer’s name, logline, genre, and competition details) as well as regarding the writer (biography, picture) to their site, or sister site to help promote the entrants’ work.
  20. By entering the competition, entrants are acknowledging their eligibility for the competition. The vast majority of entrants enter in good faith, and validating everyone at the entry stage would be inefficient and take away from efforts reading and finding the best scripts. Therefore, we check eligibility at the Top 100 Finalist stage, which allows us to confirm eligibility prior to winner selection. If an issue comes to our attention earlier, we will address eligibility issues in earlier rounds on a case-by-case basis.
  21. All purchases and submissions are final. No refunds will be issued.
  22. VOID WHERE PROHIBITED.
  23. Employees of the Launch Pad and their immediate families are ineligible to participate in this contest. Any such submission will be immediately disqualified.
  24. Except where prohibited by law, participation in the contest constitutes each entrant’s consent to LaunchPad and its agents’ and contest sponsor’s use of entrants’ names, likenesses, photographs, and/or personal information for promotional purposes in any media, worldwide, without further payment or consideration. All uses of a entrants’ information are in accordance with our Privacy Policy.
  25. You agree to release and hold harmless LaunchPad, its subsidiary, parent and affiliated companies, prize contributors, judges, readers, sponsors, and any other organizations responsible for administering, advertising, or promoting the competition, and every one of their respective members, directors, employees, agents and representatives (collectively, the “Released Parties”) past and present from and against any and all claims, expenses, and liability, including but not limited to damages and negligence to property and persons, including but not limited to invasion of privacy, defamation, slander, libel, violation of right of publicity, copyright, infringement of trademark or other intellectual property rights relating to a participant’s entry, participation in the competition and/or acceptance or use or misuse of prize; provided however, that such release will not apply to any commercial exploitation of the script by a Released Party in violation of your rights under applicable copyright law; and (c) indemnify, defend and hold harmless the LaunchPad and its sponsors, agents, and employees from and against any and all claims, expenses, and liabilities (including reasonable attorneys fees) relating to an entrant’s participation in the competition and/or entrant’s use or misuse of Prize.

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